![]() ![]() …and the supertonic triad is the D minor triad: The supertonic triad is the chord of the second degree of the scale. ![]() In addition to that, when a singer asks you (the pianist) to play a given key, he/she expects you to play the tonic triad of that key.įinally, it’s important to note that the tonic triad is one of the primary chords in a major key. Most songs start and end on the tonic triad because of its stability. The tonic triad is the most stable chord in a key because it consists of the first, third, and fifth tones (aka – “ stable tones“) in the key. The tonic triad is the chord of the first degree in the major key. A Breakdown Of The Scale Degree Triads In The Major Key The Tonic Triad Using the pick-skip technique, or any other chord formation technique, scale degree triads can be formed in any major (or minor) key. Using the pick-skip technique, any scale degree triad can be formed as well. …which is the chord of the first degree of the scale (aka – “chord 1”.) Starting from the first degree of the scale (which is C): Using the pick-skip technique, we can pick and skip notes until a scale degree triad is formed. One of the common techniques you can find on this site is the pick-skip technique. “What Are Scale Degree Triads?”Ī triad is a chord of three notes and can be formed on every degree in the major (or minor) key.Ī triad can be formed on the first degree of the scale in the major key by using any chord formation technique. 1 octave, hands together (slow at first!)Īlso try play the D chord when you get to the end of your scale.įor more major scales, visit the major scales page.Ĭomplete Book of Scales, Chords and Arpeggios here on Amazon (this is an affiliate link).In today’s lesson, we’ll be breaking down the scale degree triads in the major key.Įvery triad in the major key is unique A Quick Review On The Scale Degree Triads In The Major KeyĪ key is basically an environment created by a given set of eight tones, with the goal of establishing the first tone as key center or tonal center.This week, practice the D major scale in any of the following ways (depending on your level): Both the F# and C# are played (instead of F and C natural) because they are part of the key signature and scale. If you look at the scale, you can see those notes are D F# A C#. This is a D major seventh chord with the chord formula of the 1st, 3rd, 5th and 7th notes of the scale. Let's add onto this also and look at the DM7 chord. This is an important piece of chord theory to understand. You're playing F# because it's part of the scale and key of D. What's important to take note of here is that you're playing the F# and not the F. Those three notes make the D chord and you can play that now as well. If you look at the picture of the scale, you can see the 1st, 3rd and 5th notes are D F# A. This chord is written as just a D and major chords are built off of the 1st, 3rd and 5th notes of the major scale. All keys with more than 1 sharp will all have F#, all keys with 2 or more sharps will have F# and C#.) Understand the D Chord From D ScaleĪnother great thing you can learn and understand now that you know the D major scale is the D major chord. (If you have learned the G major scale, you'll remember that it has a F#. The key signature of D major is 2 sharps, F# and C#. You now know the key signature of D major - which is great! Left Hand 2 Octave Fingering for D Major:ĭown: 1 2 3 1 2 3 4 1 2 3 1 2 3 4 5 The Key Signature of D Major Right Hand 2 Octave Fingering for D Major: Left will cross finger 4 onto E when going up. ![]() When playing the D major scale 2 octaves, you'll need cross you thumb (1) under the C# when going up for the second octave in your right hand. Fingering for Left Hand - D Major Scale on Piano D Major Scale - 2 Octaves ![]()
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